ContactMusicPublishing profile
ContactMusicPublishing
ContactMusicPublishing
Classical guitarist and composers discusses various techniques on how to write and arrange music for the classical guitar. Come join me on my daily podcast on youtube from 6PM~7:30PM Pacific Time!
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CMP 299 Altered Pentatonic scales! Guitar Backing Track! ---Full Score with tabs! --Guitar Tabs--...

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CMP# 298 Minor Pentatonic Scale Guitar Backing Tracksheet music: --full score with tabs!

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CMP# 298 Minor Pentatonic Scale Guitar Backing Track

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CMP# 297 Major Pentatonic Scale Guitar Backing Track--score with parts--guitar 1, 2 and 3/tabs

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CMP# 297 Major Pentatonic Scale Guitar Backing Track
Weekly Future Episodes of CMP. Composing for the Classical Guitar. I drop a new ep every Wed/Thurs at Noon Japan time!
  1. CMP# 297 The Major Pentatonic Scale
  2. CMP# 298 The Minor/G9 Pentatonic Scales
  3. CMP# 299 The Altered Pentatonic Scales
  4. CMP# 300 Pentatonic Scale Inversions
    Define the tonality: Bland and Vanilla, Space, the empty frontier!
    Implied Chord Structure: Suspended Chords
    Structure: Five ascending consecutive 5ths. 1,2,3,4,6 (C,C,D,A,E)
    Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.
  5. Create a chord Progression: One chord quality! Bland
  6. Walking bass line, Play rest, and other oddities
  7. Practice elements: space ( rest/play )
  8. Neutral. Non-dissonant.
  9. Parallel Comparison: None
    https://www.dailymotion.com/video/x7xejay
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CMP# 296 The Locrian Mode Chord Vamp--Full guitar score with tabs! Enjoy this weeks content! Cheers!

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CMP# 296 The Locrian Mode Chord Vamp

Define the tonality: The seventh mode, Flat everything! Space, the empty frontier!  

               Implied Chord Structure Major (triads )    

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.   Lower 2nd, 3rd, 5th, 6th, and the Seventh! b9th, minor seven flat 9 sound: Omit the 3rd! 
5.   Parallel Comparison 
https://www.dailymotion.com/video/x7x8c1p
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CMP# 295 The Aeolian Guitar Chord Vamp--full score--guitar--guitar tabsDefine the tonality: The s...

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CMP# 295 The Aeolian Guitar Chord Vamp

Define the tonality: The sixth mode, Flat everything! Space, the empty frontier!  

               Implied Chord Structure Major (triads ), Miles Davis Milestones    

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.   Lower 3rd, 6th, and the Seventh! 9th, 11th and 13th over minor sounds! 
5.   Parallel Comparison 

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CMP# 294 The Mixolydian: DomiNA(n)tE!

Define the tonality: Most important! Mixolydian, Flat 7th, 5th mode of the major scale. Space, the empty frontier!  

               Implied Chord Structure Major (triads ),Herbie Hancock Maiden Voyage, Blues Scale.    

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.    Lower THE 7th/Stress the 4th creates suspended sound
5.   Parallel Comparison 
https://www.dailymotion.com/video/x7wu4ch
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Full sheet music of CMP# 294 The Mixolydian Guitar Chord Vamp--Full Score--Guitar--Guitar Tabs

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CMP# 294 The Mixolydian Guitar Chord Vamp

Weekly Future Episodes of CMP. Composing for the Classical Guitar. I drop a new ep every Wed/Thurs at Noon Japan time!

1.      CMP# 293 The Lydian Mode ( Dave Brubeck )
2.     CMP# 294 The Mixolydian Mode
3.    CMP# 295 The Aeolian Mode
4.    CMP# 296 The Locrian Mode 

Bitchute Exclusive! CMP# 294 The Mixolydian: DomiNA(n)tE!

Define the tonality: Most important! Mixolydian, Flat 7th, 5th mode of the major scale. Space, the empty frontier!  

               Implied Chord Structure Major (triads ),Herbie Hancock Maiden Voyage, Blues Scale.    

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.    Lower THE 7th/Stress the 4th creates suspended sound
5.   Parallel Comparison 
https://www.dailymotion.com/video/x7wy7ow

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CMP# 293 The Lydian Mode: (Raise the 4th! ) Guitar Chord Vamp! With Full score and guitar parts ...

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CMP# 292 The Phrygian Mode: Use the 9th Luke! Guitar sheet music: Full Score and Separate Guitar ...

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CMP# 292 The Phrygian Mode: Use the 9th Luke!

Define the tonality: Phrygian, third mode of the major scale. Exotic Mode. Lowered 2nd, 3rd, 6th and 7th . 

               Implied Chord Structure Minor (triad, Em7, Em7b9, Em7b9 and 11th, Em7b9, 11th and 13th ), John Coltrane: Crescent and Duke Ellington’s Melancholia.   

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.    USE THE 9th…LUKE! E7sus b9 Chord! 
5.   Parallel Comparison 

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CMP# 291 The Dorian Mode: Chord Vamp Sheet MusicFull scoreGuitar Sheet Music

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CMP# 291 The Dorian Mode: Chord Vamp

Define the tonality: Dorian, second mode of the major scale. Most Popular, widely used mode. 

               Implied Chord Structure (triad, 6th, 7th , 9th ,11th ,and 13th ), Lowered 6th degree. “So What” Miles Davis.  

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: One chord quality, different flavors!
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.    USE THE 13th…LUKE! 

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Looking for classical guitar composition lessons? Look here to find out more about them. Check out where to find me and make contact for about composition lessons! 

⭐ Bitchute Daily Vids:  https://www.bitchute.com/channel/OaG5iFa3Qhp4/
⭐Parler: https://parler.com/profile/Crumblycake/posts 
⭐ Instagram: https://www.instagram.com/contact_music_publishing/ 
⭐ Minds: https://www.minds.com/ericandrewthorson/ 
⭐ *Gab*: https://gab.com/ContactMusicPublishing 
⭐ Library Vids:   lbry.tv/@contactmusicpublishing:9 
 ⭐ Brighteon brighteon.com/channels/crumblycake 
⭐ Dailymotion:   dailymotion.com/video/x7w31s8 
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CMP# 290 Ionian Mode: Avoid the 4th! Sheet Music, Duet Ionian Leadsheet. Define the tonality: Ion...

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CMP# 290 Ionian Mode: Avoid the 4th!

Define the tonality: Ionian

               Tertian Harmony (triad, 6th chord, 7th chord other tension), 4th degree-handle with care, it’s a half step away! No third? No problem, it’s a sus4th chord! Major chord has: 9th, 11th and 13th. 

               Variations in playing: rest/play, Odd combinations: Rest for 3 measures and start on off/on beats.              

1.      Create a chord Progression: I, vi, ii, V
2.     Walking bass line, Play rest, and other oddities
3.    Practice elements: space ( rest/play )
4.    AVOID THE 4th! Alternative: raise the 4th

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My fellow guitar/composers! I am setting up a call to guitar/composers to submit your work for consideration.
I host a daily live stream about composing for the classical guitar and would like to hear from you.
We offer variety of topics about composing and arranging for classical guitar. We mostly talk about modern music and its extended techniques.

Here are the strict guidelines for submission:
1. Short one page piece
2. Duration: 1~2 minutes long
3. Using Finale/Sebelius or any other notation software.
4. Most be written in current “modern” style. Not Jazzy or New age. Think Kate Soper or Rebecca Saunders’ “modern” ( Using extended techniques for guitar )
5. Can be written in Standard or non standard notion.
6. No Flamenco!
7. Must be a new work, not have been previously published.
8. Oh! Don’t forget…it must written for the classical guitar! Not Harmonica! ;)

Please submit your work to [email protected] And we will send a confirmation email.
Add me on Discord! Click here: https://discord.gg/KbGH4p


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CMP#288 Harmonic Reference Chord ProgressionNice little chord progression I created to practice s...

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CMP# 289 Creating Practice Vamps Simple accompaniment to solo over D...

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